Description
The band that became Nightshift formed in 2019 in the ecosystem of Glasgows current indie scene. The citys fertile & creative group of musicians have been committed to pushing the boundaries of and blurring the lines between DIY, punk, experimentalism and indie pop for decades now; a home to bands like Shopping, Vital Idles, Current Affairs, Still House Plants, and Happy Meals as well as forebears like Orange Juice, Teenage Fanclub and Yummy Fur. Nightshift slot right in with all mentioned, featuring members from current indie stalwarts Spinning Coin, 2 Ply and Robert Sotelo. Initially formed by guitarist David Campbell and bassist Andrew Doig as a No Wave/No New York/ early Sonic Youth/This Heat-esque group, the addition of Eothen Stern (keyboards/vocals) and Chris White (drums) instantaneously transformed their approach (guitarist / vocalist/clarinetist Georgia Harris joined as the band was writing Zöe). The band self-released a full-length tape on CUSP Recordings in early 2020, laying the foundation of their sound; hypnotic, melodic, understated indie post-punk with hooks that stick around long after youve heard them. Zöe is the bands newest effort, and first for Trouble In Mind.
Unlike the bands previous album, the songs on Zöe werent conceived live in the bands practice space, but rather pieced together and recorded remotely during quarantine lockdown, with each member composing or improvising their parts in homes/home studios, layering ideas over loops someone made and passing it on. The isolation actually allowed for an openness and creativity to flow and many of the songs took on radically different forms from when they were originally envisioned.
Zöe means live drive, derived from the word conatus. Bradiotti defines conatus as an effort or striving, endeavour, impulse, inclination, tendency, undertaking, serving is an innate inclination of a thing to continue to exist and enhance itself. and Stern views it as a kind of feminist re-claiming of communal public, anti- privatisation, looking to strive for social and environmental justice. Zöe kicks off with Piece Together, a hypnotic song anchored by the bands chanted vocals and serpentine guitar licks. Spraypaint the Bridge showcases Harris clarinet in an unexpected & delightful melodic shift during the songs anti-chorus. Elsewhere tunes like the swooning Infinity Winner and Outta Spaces minimalist, slinky rhythm swirl in a late-night vibe, while Make Kin ruminates on Looking to kinship as a way of engaging with entangled environmental and reproductive issues how a band is a bond and lurches forward with kinetic guitar strangling and staccato rhythmic percussion from White and Doig.
Power Cut is the albums centerpiece, kicking off side two and lures the listener into its world over its 7-minute runtime. Lulling them into involuntary movement with its waves of melodic harmonies, synth drones and metronomic pulse, until they all come crashing down in the songs dissonant midsection. The band acknowledges the whiffs of nostalgia prevalent in Zöes songs (the title track in particular), and the nature of writing and recording the album is soaked in the self-work, reflection and reevaluations involved not only personally but creatively in each members lives. Consequently, the album becomes a collection of sketches of hope, growth, awareness of the power of the world and the power of self, kith, kinship, friendship, resistance, and possibility.
RIYL: The Raincoats, Shopping, Marine Girls, The Fates, Faust, Flaming Tunes, Camberwell Now, Neu!, Sonic Youth, Cate le Bon, Grass Widow, Primo!






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