East-West

Description

East-West Paul Butterfield (hca, voc); Elvin Bishop, Mike Bloomfield (g); Mark Naftalin (org); Jerome Arnold (b); Billy Davenport (dr)

In 1965, just one year after Paul Butterfield had formed his blues band named after himself and launched one of the very best groups among the white Chicago blues community, the band produced this dynamic and visionary album. The group presents a wide range of contrasting numbers, both eastern and western, which reflect the LPs title something totally new and innovative. In the first few titles, traditional standard numbers come over rather enigmatically while supporting original and rhythmic compactness, but this soon gives over to a tactically well-formed instrumentation and lengthy solo interludes. The all-embracing motto blues is taken up by the band in Nat Adderleys Work Song at the very latest, with mind-expanding ways of playing and varying sounds. Catapulted by Mike Bloomfields artistry on the guitar into the world of rock, all the musicians celebrate these well-known jazz standards and each man contributes his personal skill into forging a perfectly balanced team effort.

The title number East-West ultimately demolishes the world of the blues. In the tonal mixture of confidently prepared rock ingredients and borrowings from Indian music (raga rock), we have an amalgamation of rock, blues, jazz and oriental melodies which result in an emotional, unheard-of sound that is well worth the hearing.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.

All royalties and mechanical rights have been paid.

Recording: July 1966 at Chess Studios, Chicago (IL), by Jac Holzman

Production: Barry Friedman, Mark Abramson, Paul Rothchild