Description
Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away. Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.
Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012s Theres No Leaving Now, full of vivid imagery, clever turns-of-phrase, and devastating, world-weary observations (Under The Radar) and 2015s Dark Bird Is A Home, his most personal record surreal and dreamlike (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. My entire career Ive been a DIY person mostly fuelled by the feeling that I didnt know what I was doing, so Id just do everything myself. But now, longing for the energy thats only released when creating together with others, Matsson invited his friends to come and play.






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