Description

Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London
Produced by Quincy Jones Recorded: 1980

This is the peak of George Bensons courtship of the mass market a superbly crafted and performed pop album with a large supporting cast and wouldnt you know that Quincy Jones, the master catalyst, is the producer. Qs regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Bensons voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On Moodys Mood, Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track.
Bensons guitar now plays a subsidiary role only two of the ten tracks are instrumentals but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: Off Broadway is driving and danceable, and Ivan Lins Dinorah, Dinorah grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together. By Richard S. Ginell/AMG