Friday Night (Live Album)

Description

Will Butler is a primary member of Arcade Fire. Cover art by Abbi Jacobson of Comedy Centrals Broad City. Friday Night includes seven tracks not previously available. Introduction by comedian Jo Firestone. Friday Night is a live album of performances from Will Butlers tour supporting his first album Policy. It was recorded mostly at Lincoln Hall in Chicago on June 4, 2015. Five of the songs are from Policy, two are songs written for the Guardian newspaper last year, and five are new. This record exists partly because I had a really good band, and I wanted to document it. Miles Arntzen (EMEFE, Antibalas) played drums (standing up at a full kithe didnt use a hi-hat pedal, so he could stand on that leg while working the kick drum with the other). Julie Shore played synth bass. Sara Dobbs played synth leads and Mellotron pads. Everybody sang backing vocals. We started almost every show with You Must Be Kidding. I thought the album should start in medias res to welcome the listener into a sweaty room with a tired, happy band and a loose crowd. So the album starts with the encore Tell Me Were All Right which was only ever played once, and this is the recording of it. We never soundchecked it. It wasnt even written yet (you might be able to tell). But Miles plays some magical fills, Sara and Julie jump in with good harmonies, and the crowd even begins a spontaneous call-andresponse at the end (Youre all right!). This record also exists because I wrote a lot of new songs and the band got good at playing them, and I wanted to put them out to the wider world. Sometimes an artist will take a new song into the studio and polish it until theres nothing left. I wanted these songs to avoid that fate. Think of this as a comedy record. In some ways literallyBrooklyn comedian Jo Firestone does the introduction and the solo in Friday Nightbut also, its an album based on working out ideas in a room full of people, playing off their energy and expectations. Its about taking complicated emotions and wringing communal joy from them, and then translating that joy onto record.