Description
Inverting Radioheads honesty box policy for In Rainbows and fixed price for King of Limbs, in typically contrary fashion, the new Blue Aeroplanes LP is released on vinyl prior to its appearance on CD and download. Buoyed by the massive critical praise for the reissue of their 1990 magnum opus Swagger, and 2006s renaissance Altitude, these recent triumphs have set a high bar for Gerard Langley and his co-pilots to aim for. Fortunately, Anti-Gravity, working on the same titular theme to Altitude finds the band being able to achieve exactly that. Over a quarter of a century since their first appearance, the LP thrums with the same energy as their early recordings.
Their mélange of folk, rock and spoken word narratives finds the Aeroplanes sounding totally contemporary, their literate, driving, rock jangle slotting in nicely alongside the likes of the Hold Steady and the Shins. Opening with Sulphur, emerging out of the sound of fireworks into cascading, semi-acoustic arpeggios, gradually reaching the melodic plateau of the chorus, the song provides irrefutable proof the Planes can handle pop songs
The self-autobiographical lyric of Angela Carter draws the listener in, the musical backing the chassis for Gerards tale of collaborating with the late author on a novel that never saw the light of day. 25 Kinds of Love, a gnarly garage rocker, offers an alternative update of Paul Simons Fifty Ways to Leave Your Lover. He only wrote about seven, vocalist Gerard Langley ruefully notes.
By contrast, Sufjan Stevens acolyte St. Vincent has her track Laughing with a Mouthful of Blood reworked into the resigned My Old Haunts. The bands long-held fascination for acoustic/ electric instrumentation shines through on the softly pattering, mandolin led Nothing whilst Oak Apple Day shimmers along on acoustic guitars and Ry Cooder-esque lap steel.
Kicking off Side Two (very satisfying to be able to use the term in a review), Go Along With Me on This One mines the same stentorian strum of mid-period R.E.M. tracks like Finest Worksong. The influence of their former touring partners can also be detected on Pretty Head, its wonderfully spring-heeled riff dimly reminiscent of the Athens, Georgia crews Disturbance at the Heron House.
Great Movie Clichés continues the Americana element, its close miked vocal and country fiddle coming across like Desire era Dylan. One World Passport meanwhile, a compelling collision of demonic propulsion of Sympathy for the Devilwith an ascending guitar riff is offset by a lengthy Langley lyric about the current parlous state of the world. The six minute Cancer Song, bookends the LP with a hazily somnambulistic melodic stumble, concluding proceedings on a restful note.
As the title of the penultimate track Born Again, Again suggests, the Blue Aeroplanes are indeed that, their art/rock/folk narratives chiming in perfectly with current developments. If theres any justice the Aeroplanes will win more passengers on their onward journey towards their thirtieth year, as on this evidence they sound as vital and as energized as they did during their early 90s peak.
Richard Lewis (.)
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