Coleman Hawkins and Confreres (180g LP)
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Coleman Hawkins and Confreres (180g LP)

Original price was: £53.00.Current price is: £15.90.

SKU: 9886347 Category:

Description

Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!
Monthly releases highlighting the worlds most historic and best jazz records!
Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape
180-gram LPs pressed at Quality Record Pressings!
Stoughton Printing gatefold old-style tip-on jackets
Series supervised by Chad Kassem CEO of Acoustic Sounds

Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the worlds largest source for audiophile recordings.

Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His college attendance, as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. Hawk was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players.

Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title Sunday in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buviviers marvelous bass playing (in Nabab!) where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roys solo in Honey Flower.

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