Lizard

Description

DGM & Panegyric are proud to present the third in a series of King Crimson high quality vinyl reissues with the September release of Lizard. The albums return to the 12 vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200 gram super-heavyweight vinyl & housed in a reprint of the original beautiful gatefold sleeve, this edition also contains bonus MP3 codes giving access to a download of a transfer of an original 1970 pressing.

Demand for In The Court Of The Crimson King (2101) & In The Wake Of Poseidon (2011) has exceeded all our expectations with both titles having been re-pressed. Lizard has also become a high demand title on vinyl especially in light of the albums positive retrospective reviews when issued on CD/DVD-A in 2009, so is equally assured of strong sales.

Lizard King Crimsons third studio album & second recording of 1970, was, like its predecessor In the Wake of Poseidon, the product of a studio band. It was also the first Crimson album for which Robert Fripp provided all of the music. Remarkably self-contained & sounding somewhat atypical for a King Crimson album even by the standards of a band that rarely sounded similar from album to album, Lizard is an often overlooked & under-appreciated gem from their early years. Certainly at the time of release, anyone expecting an extension of the soundscapes introduced & explored on the bands earlier two albums was in for a surprise.

Lizard featured a lighter, more delicate sound than the earlier albums an approach perhaps necessitated by an extended instrumental line-up. The expanded range of instruments allowed for intricately interwoven instrumental passages with Fripps guitar & Tippetts piano pleasingly to the fore and this combination, along with the prominence afforded to Mel Collins & the guest players on the albums main title suite, led some to believe that Fripp was guiding Crimson towards the world of jazz & away from rock altogether. But such claims were misguided. Crimson was, as ever, seeking to expand the vocabulary of rock music & Lizard was, in some ways, the bands most ambitious album to date.

As this line-up never toured, very little of the material was performed live & Lizard remained a product of the studio environment & the musicians who performed on it. Lizard remains a fascinating, intriguing album an album only a band called King Crimson could make even if it was a very different King Crimson to that which had gone before or would come after. The albums reputation has undergone a serious re-evaluation in recent years, due in no small part to the overwhelmingly positive nature of the reception given to Steven Wilson & Robert Fripps 2009 CD/DVD-A edition. As a result the album has never been as popular in its 42 years history.

Band Line-Up: Robert Fripp: Guitar, Mellotron, Electric Keyboards & Devices.
Mel Colins: Flute & Saxes. Gorden Haskell: Bass Guitar & Vocals. Andy McCulloch: Drums. Peter Sinfield: Words & Pictures: With Robert Miller, Mark Charig, Nick Evans, Keith Tippett and Jon Anderson of YES.