Description
Róisín Murphys 2015 album Hairless Toys marked a significant return after an eight-year hiatus, during which she delved into personal and collaborative explorations. Departing from her disco-infused past, the album takes a quieter and more personal approach, evident in tracks like Gone Fishing, inspired by 1980s ball culture. Murphys understated delivery, notably on Evil Eyes and the expansive Exploitation, creates a sophisticated and meditative atmosphere, avoiding the pitfalls of mere tastefulness. Quirks, such as the synth bass in Uninvited Guest, coexist seamlessly with the albums cohesive mood.
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