Description
Seventh Son of a Seventh Son is the last great Iron Maiden album, reconnecting with the bands prog rock roots and reversing the signs of decline that had been evident on their previous record. By this point, Maiden had earned the respect of metalheads the world over with their steadfast adherence to unadulterated metal and their grandiose aesthetic. Theyd made concessions neither to pop-metal nor to thrash, and their passionate fan base would never have tolerated a radical reinvention. But what do you do when your epic ambition itself has become a formula? You go even bigger and make a concept album, of course, and thats what Maiden does here, breaking out of the creative rut theyd fallen into on Somewhere in Time. The concept is based on the European folklore which held that the seventh son of a seventh son would be born with special powers that could be used for good or evil (and probably also in part by fantasy author Orson Scott Card, whod touched on this idea in his own work). As such, the lyrics are Maiden at their most gothic, obsessed with supernatural mysticism of all stripes; the story line concerns the title character, born with a gift for prophecy but mistrusted by his village, which ignores his warnings of apocalyptic doom and makes him a tormented Cassandra figure. Musically, this is Maiden at their proggiest, with abrupt, stop-on-a-dime transitions between riffs, tempos, time signatures, and song sections. Yet nearly every song has a memorable chorus, with only The Prophecy falling short in that department. Theyve also switched from the guitar synths of Somewhere in Time to full-fledged keyboards, which are used here more to add atmosphere rather than taking center stage; this restores the crunch that was sometimes lacking in the shinier production of the previous album. No less than four of this albums eight songs reached the British Top Ten in some version (concert standard Can I Play with Madness, The Evil That Men Do, The Clairvoyant, and Infinite Dreams), while the album became the bands first U.K. chart-topper since The Number of the Beast. The title track is this albums extended epic (though the songs are longer in general), and its moved out of the closing spot in yet another subtle statement about shaking things up. If Seventh Son doesnt epitomize their sound or define an era the way the first three Dickinson albums did, it nonetheless ranks among their best work. Adrian Smith left the band after this record, closing the book on Maidens classic period and heralding a dire and distressingly immediate creative decline. ~ Steve Huey
Parlophone Records will follow the 2012/13 IRON MAIDEN vinyl picture disc reissues of the first eight Iron Maiden albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl.
In conjunction with these premium album releases, a strictly limited one-off run of the 7 singles from each respective album will be made available. These highly collectable black vinyl singles will be cut from the original analogue master tapes. Released in replica artwork packaging, they are sure to become a must-have item for fans, collectors and anyone who missed out first time round.
The albums will also be cut from the original analogue master tapes and packaged in identical artwork to the initial 1980s releases. As a bonus, the first batch of album releases (Iron Maiden/Killers/The Number Of The Beast) will also be made available in a Collectors Box sized to house all 8 albums. This package will be a strictly limited edition and available while stocks last.
The release of these high quality, black vinyl records offers optimum choice to fans who would like to own a piece of Maidens authentic 1980s vinyl sound, or for those simply wanting to rediscover this much loved, iconic format. Coupled with the end of the Maiden England World Tour which began in North America in 2012 and finished last month at Knebworth Parks Sonisphere Festival, this now completes Maidens 1980s touring and catalogue reissues cycle, so the band are free to focus on their dynamic future plans.
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